Kennedy Unthank studied journalism at the University of Missouri. He knew he wanted to write for a living when he won a contest for “best fantasy story” while in the 4th grade. What he didn’t know at the time, however, was that he was the only person to submit a story. Regardless, the seed was planted. Kennedy collects and plays board games in his free time, and he loves to talk about biblical apologetics. He thinks the ending of Lost “wasn’t that bad.”
Mufasa: The Lion King roars onto screens as a prequel to 2019’s reboot of franchise—and with the same spiritual and violent content concerns.
Surprisingly, The Last Showgirl exposes a critical truth about the nature of vanity. But it does so accompanied by salacious, sexual content.
Valiant One follows a squad of American soldiers who are forced to survive when their chopper crashes in North Korean territory.
Joseph’s Machines showcases elaborate Rube Goldberg machines, though the channel itself comes with extra content bumps.
One of Them Days showcases a particularly miserable day in our protagonists’ lives—and one filled with far more content than necessary, too.
It’s a shame that Better Man, the biopic starring Take That member Robbie Williams, doesn’t have better content.
Nickel Boys recounts the horrific abuse suffered by children at the real-life Arthur G. Dozier School, renamed in this adaptation as Nickel Academy.
The stick figure fights on Alan Becker are well animated and in good fun, and they come with only the most minor of concerns.
This animated Amazon Prime series is part superhero flick, part coming-of-age story and more than part problematic.
This AppleTV+ show is an accurate depiction of gaming culture—including everything wrong with it.
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